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Saturday, October 10, 2026
Pulse UK Today

Dance Star Matthew Ball on Grueling Roles and Social Media Scrutiny: 'I Don't Feel Precious About My Body'

Within the quiet ambiance of a lounge near London's prestigious dance company, Matthew Ball requests a mint tea. His carriage is effortlessly upright, his limbs muscular beneath a plain tee. During performances, dancers can appear as powerful deities, yet often offstage they are small. This is not true for Ball, whose tall stature is part of his popularity for princely characters and partnering. Possessing delicate features and intense eyes, there's a hint of Robert Pattinson about him.

An Apparent Rise to the Top

At 31, Ball is enjoying the crest of a career that has progressed smoothly. Growing up in Liverpool, he faced minimal teasing for his early interest in ballet. Joining the Royal Ballet School at 11, he moved straight into the company and was advanced each year, attaining the top rank of lead dancer in 2018. He has relished taking on meaty dramatic roles, especially the psychological angst found in Kenneth MacMillan's works.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

Ball's upcoming starring role is as himself, in an "Evening With" series aiming to offer intimate perspectives into a dancer's art. He will walk the audience through a part, demonstrating his cognitive process during performance. Yet in lighter ballets, the challenge is profound. "A classic ballet is one of the toughest technically," he states.

The Mental Game and After the Show Emotions

What about following a performance, when he has pulled it off? "It feels pretty good," he says. "But because I'm trying to extract all the juice out of it, and get lost in the character, quite often I do feel self-conscious later. After an intense role I'm always like: Wow, what must people think?"

Offstage, Ball is reflective, mild-mannered, and quick to laugh at himself. Yet a choreographer once remarked on a "sense of suffering in him." Does this exist? "I am very active in general, but I do have a dark side," he reveals. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an instigator for good change."

Formative Motivations and Creative Inspirations

His tenacity originated in youthful setbacks. Not excelling in competitions at school made him "driven!" This became fuel to demonstrate he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit fanatical," he recalls.

The next challenge is creating his own dance works. In his view, "organic movement has value." "Breaking the rules is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing ideas from literature, compositions, and art.

Close-Up Performance and Private Partnership

He also favors staging dance in more intimate spaces. "It was just really thrilling," he says of a previous show. "You’re so close to the viewers. I felt as if they were realizing: 'That’s a human, and they’re perspiring.'"

Ball has created pieces with his girlfriend, fellow lead dancer Mayara Magri. The level of trust between them is evident. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." They aren’t usually matched on stage at their main theater, which might be beneficial. "We’re both quite strong-willed people, so it’s not always smooth sailing," he notes. "Yet I feel like we’re each other’s favorite supporter."

On Social Media and Bodily Image

On social media, fans can see videos from his dance films and images that showcase a sculpted physique. Does he mind that the engagement can be somewhat objectifying? Not really. "The body is just what we use, so I don’t feel very protective about it," he explains. He compares it to seeing Michelangelo’s David—something that can be interpreted on multiple levels.

Ball characterizes his early self as "desperate for success." Did it met his expectations? "I feel very aware of how reality is a different thing to the dreams you had as a child," he muses. He likely has another ten years of dancing ahead. "I guess in the future, I want to be a bit more gentle with myself."

The writer

Keith Richmond

Evelyn Reed is a seasoned journalist specializing in UK politics and social affairs, with over a decade of experience in digital media.

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